“20 20 is a highly meditative and evocative work. In this interplay of friable tensions, dancers activate and move LED-strip embroidered metal rods that sculpt space and time to scramble all our frames of reference as viewers, evoking questions on the relation between desire and intimacy. A landscape of sorts is built between light and shade – inhabited by three half-naked roaming bodies conjures up a post-apocalyptic state between tension and attention, closeness and distance, the visible and the invisible”. (Danse Elargie, Theatre De la Ville, Paris FR)
20 20 is a dance performance for three dancers and a modular light sculpture made out of twenty metal strips of led lights. The spectators are led into complete darkness and invited to immerse in this abyss while their senses gradually open up to set the stage for a thoroughly tactile experience.
The trio slowly transports the spectators to an abstract field, where subtle oscillations of lights reveal the bare minimum of silhouettes and figures. The meditative quality of the work, and the way it constantly transforms the space, set a rhythm in motion—temporality turns spatial.
A play between visible and invisible vast and narrow, engender a hyper-attentive state, full of tension. The performers explore architectonic scores of space and body, using touch as a physical form of invitation and communication. As the work unfolds, different cryptic situations appear, evoking questions on the relation between desire and intimacy.
20 20, 2018
Concept, choreography and set design: Tamir Eting
Performers: Dasom Lee, Winter Wieringa and Tamir Eting
Music: yon eta
Advisor: Nikki Hock
Duration: 35 min
Produced and performed in the framework of SNDO - The School for New Dance Development. AHK Amsterdam University of The Arts
Video registration: Corneliu Ganea
2020 was selected to be presented at Korzo, (The Hague, NL) and at Théâtre de la Ville (Paris, FR)
20 20 is a dance performance for three dancers and a modular light sculpture made out of twenty metal strips of led lights. The spectators are led into complete darkness and invited to immerse in this abyss while their senses gradually open up to set the stage for a thoroughly tactile experience.
The trio slowly transports the spectators to an abstract field, where subtle oscillations of lights reveal the bare minimum of silhouettes and figures. The meditative quality of the work, and the way it constantly transforms the space, set a rhythm in motion—temporality turns spatial.
A play between visible and invisible vast and narrow, engender a hyper-attentive state, full of tension. The performers explore architectonic scores of space and body, using touch as a physical form of invitation and communication. As the work unfolds, different cryptic situations appear, evoking questions on the relation between desire and intimacy.
“20 20 is a highly meditative and evocative work. In this interplay of friable tensions, dancers activate and move LED-strip embroidered metal rods that sculpt space and time to scramble all our frames of reference as viewers, evoking questions on the relation between desire and intimacy. A landscape of sorts is built between light and shade – inhabited by three half-naked roaming bodies conjures up a post-apocalyptic state between tension and attention, closeness and distance, the visible and the invisible”. (Danse Elargie, Theatre De la Ville, Paris FR)
20 20 is a dance performance for three dancers and a modular light sculpture made out of twenty metal strips of led lights. The spectators are led into complete darkness and invited to immerse in this abyss while their senses gradually open up to set the stage for a thoroughly tactile experience.
The trio slowly transports the spectators to an abstract field, where subtle oscillations of lights reveal the bare minimum of silhouettes and figures. The meditative quality of the work, and the way it constantly transforms the space, set a rhythm in motion—temporality turns spatial.
A play between visible and invisible vast and narrow, engender a hyper-attentive state, full of tension. The performers explore architectonic scores of space and body, using touch as a physical form of invitation and communication. As the work unfolds, different cryptic situations appear, evoking questions on the relation between desire and intimacy.
20 20, 2018
Concept, choreography and set design: Tamir Eting
Performers: Dasom Lee, Winter Wieringa and Tamir Eting
Music: yon eta
Advisor: Nikki Hock
Duration: 35 min
Produced and performed in the framework of SNDO - The School for New Dance Development. AHK Amsterdam University of The Arts
Video registration: Corneliu Ganea
2020 was selected to be presented at Korzo, (The Hague, NL) and at Théâtre de la Ville (Paris, FR)